LILLIAN BASSMAN
Lillian Bassman’s work as a photographer may have never been noticed by the art world if it weren’t for a trash bag full of her negatives that were found when she was already in her 70s. Bassman got her start as an art director under the tutelage of Alexey Brodovitch at Harper’s Bazaar. Working on a spin-off of the magazine, she showcased the work of photographers like Richard Avedon and Robert Frank, artists who inspired her to explore the medium herself. She developed a signature style, capturing dreamy black-and-white portraits of graceful models through experiments in the darkroom — cropping, toning, bleaching, and using gauzes and tissues to manipulate images until they took on the look of mysterious fashion illustrations.
Blowing Kiss, Barbara Mullen, Harper's Bazaar, New York, 1950
Blowing Kiss, Barbara Mullen, Harper's Bazaar, New York, 1950
Image size 60x40 cm
Frame size 63x61 cm
Gelatin silver print reinterpreted
Edition 12/25
Printed 1994
Signed verso by the author in pencil
The photograph of Barbara Mullen taken by Lillian Bassman for Harper’s Bazaar is one of the most significant in the photographer’s portfolio. In this photo the model, adorned in an exquisite dress and hat, blows a kiss to her hardly perceptible reflection in the mirror, accentuating the general spirit of fragility and mystery.